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127 Hours (127 Hours)

127 hours is nothing but the story of the true story of Aron Ralston , the American mountaineer became infamous in 2003 for being trapped by a boulder during a rock climbing in Utah from which freed after more than five days amputating alone arm trapped.
Needless to say, the story being well known, the vast majority of viewers of the globe (including me) waiting for about an hour and twenty minutes, with increasing anxiety and trepidation, the rendition by the visionary Danny Boyle amputation of the fateful because, as I read some time ago on Entertainment Weekly , " about 127 hours without wanting to talk about the cutting arm is like trying to speak of Jaws without the shark itself want to talk about."
Given the circumstances, is certainly not been easy for Boyle to make a film in which, essentially, only one actor was recovering property for an hour and a half: its style, però, ha fatto centro ancora una volta. Il vero protagonista del film, a parte James Franco che è letteralmente strepitoso, è infatti l'editing, come di consueto nei film del regista britannico: la staticità della location e della situazione è infatti intervallata, con sapiente tempismo, da flashback, allucinazioni, rimandi e riprese naturali che fanno scorrere il film come se si trattasse di un adrenalinico action movie senza soluzione di continuità.
Fantastiche le scene della pioggia e di tutte le rimembranze del protagonista legate all'acqua, e davvero ironico e struggente al tempo stesso lo sketch, da parte di Ralston-Franco, della trasmissione televisiva, che si chiude con un "Oops" che vale da solo the whole scene (if not the essence of the film itself).
James Franco, as mentioned, is extraordinary: from unconsciousness to desperation, from joy to reason, from sadness to clarity, everything is determined by the plaintiff in admirable fashion, and her contortions of pain on her face in the climax scene the film must be left open-mouthed for accuracy and adherence to the role.
In conclusion, post-still on the scene of the film: I've seen with the classic five fingers spread before our eyes, but for what I wanted to look magnanimous Boyle was discreetly, without special too brutal, but in my opinion self-amputation is a scene still "strong." Absolutely
to see.