Berger Paint Colour Chart

Oscar 2011: my (lazy) comments

Dopo attenta riflessione mattutina, sono giunto alla conclusione che questa 83ma cerimonia degli Oscar sia stata la peggiore da me vista.
Triste iniziare con queste parole, soprattutto se si considera il fatto che il livello artistico delle pellicole candidate era decisamente elevato, e sicuramente i loro artefici avrebbero meritato ben diversa celebrazione.
Che dire? Tre ore e dieci minuti di nulla (o quasi): ritmo inesistente, nessun montage degno di nota, scelte inspiegabili (le intro dei presenter, gli Oscar alla carriera) e due presentatori letteralmente lanciati allo sbaraglio in modo unworthy by the organizers of this scandalous format.
was supposed to be the year of rejuvenation, but the only funny moment he saw the protagonist novantaquattrenne Kirk Douglas, author of a hilarious curtain time of the award for Best Actress in a Supporting Role.
Prizes? Almost all announced and almost all accompanied by speech dimenticabilissimi. He put
? Some significant, but not worthy of mention, apart from the beautiful Halle Berry , who freely give a lot of hemp from head stuck so is regal in her appearance.
Anne Hathaway? Adorable but restrained.
James Franco? Alluring but untouchable.
The songs nominated? Four of them bad, but especially, as already written in previous posts, the one that won: a boiata unlistenable in the context of the pearl that is TOY STORY 3.
Hope? That next year you come back Hugh Jackman, or anyone with a minimum of organizational verve and a bit of empathy. What a disappointment
burning.

6 Month Old Baby Dry Cough

Oscar 2011: Oscar winners

In the context of one of the most boring ceremonies and scandalously ill-organized the last two decades, have just awarded the Oscar 83mi film.
triumphs THE SPEECH OF THE KING (film, director, actor, screenplay), surprising for the victory of Hooper director ; Inception ago as lower technical categories also taking home four statuettes; THE SOCIAL NETWORK prevails in three categories (adapted screenplay, editing and soundtrack), while it THE FIGHTER won awards for both supporting actors.
blow to THE GRINTA (10 nominations) and 127 hours (6), a dry mouth. The most pleasing statuette
: Natalie Portman . The statuette
more scandalous: the horrible song TOY STORY 3 .

My prediction? Well-chosen 17 winners for 24 categories (one more than last year).

Here are the winners.

Best Motion Picture of the Year
127 hours (2010)
Black Swan (2010)
The Fighter (2010)
Inception (2010) The boys are doing well
(2010)
The speech of the King (2010)
The Social Network (2010)
Toy Story 3 - The Great Escape (2010)
The Grit (2010)
Winter's Bone (2010)

Best Performance by an Actor in a Leading Role
Javier Bardem for Biutiful ( 2010)
Jeff Bridges for The Grit (2010)
The Social Network for Jesse Eisenberg (2010) Colin Firth
for King's speech (2010)
James Franco for 127 ore (2010)

Best Performance by an Actress in a Leading Role
Annette Bening for I ragazzi stanno bene (2010)
Nicole Kidman for Rabbit Hole (2010)
Jennifer Lawrence for Winter's Bone (2010)
Natalie Portman for Black Swan (2010)
Michelle Williams for Blue Valentine (2010)

Best Performance by an Actor in a Supporting Role
Christian Bale for The Fighter (2010)
John Hawkes for Winter's Bone (2010)
Jeremy Renner for The Town (2010)
Mark Ruffalo for I ragazzi stanno bene (2010)
Geoffrey Rush for Il discorso del re (2010)

Best Performance by an Actress in a Supporting Role
Amy Adams for The Fighter (2010)
Helena Bonham Carter for Il discorso del re (2010)
Melissa Leo for The Fighter (2010)
Hailee Steinfeld for Il Grinta (2010)
Jacki Weaver for Animal Kingdom (2010)

Best Achievement in Directing
Darren Aronofsky for Black Swan (2010)
Ethan Coen, Joel Coen for Il Grinta (2010)
David Fincher for The Social Network (2010)
Tom Hooper for Il discorso del re (2010)
David O. Russell for The Fighter (2010)

Best Writing, Screenplay Written Directly for the Screen
Another Year (2010): Mike Leigh
The Fighter (2010): Scott Silver, Paul Tamasy, Eric Johnson
Inception (2010): Christopher Nolan
I ragazzi stanno bene (2010): Lisa Cholodenko, Stuart Blumberg
Il discorso del re (2010): David Seidler

Best Writing, Screenplay Based on Material Previously Produced or Published
127 ore (2010): Danny Boyle, Simon Beaufoy
The Social Network (2010): Aaron Sorkin
Toy story 3 - La grande fuga (2010): Michael Arndt, John Lasseter, Andrew Stanton, Lee Unkrich
Il Grinta (2010): Joel Coen, Ethan Coen
Winter's Bone (2010): Debra Granik, Anne Rosellini

Best Animated Feature Film of the Year
Train Your Dragon (2010): Dean DeBlois, Chris Sanders
The Illusionist (2010): Sylvain Chomet
Toy Story 3 - The Great Escape (2010): Lee Unkrich

Best Foreign Language Film of the Year
Biutiful (2010): Alejandro González Iñárritu (Mexico)
Kynodontas (2009): Lanthimos Giorgos (Greece)
In a better world (2010): Susanne Bier (Denmark)
Incendies (2010) Denis Villeneuve (Canada)
Hors-la-loi (2010): Rachid Bouchareb (Algeria)

Best Achievement in Cinematography
Black Swan (2010): Matthew Libatique
Inception (2010): Wally Pfister
Il discorso del re (2010): Danny Cohen
The Social Network (2010): Jeff Cronenweth
Il Grinta (2010): Roger Deakins

Best Achievement in Editing
127 ore (2010): Jon Harris
Black Swan (2010): Andrew Weisblum
The Fighter (2010): Pamela Martin
Il discorso del re (2010): Tariq Anwar
The Social Network (2010): Kirk Baxter, Angus Wall

Best Achievement in Art Direction
Alice in Wonderland (2010): Robert Stromberg, Karen O'Hara
Harry Potter e i doni della morte: Parte I (2010): Stuart Craig, Stephenie McMillan
Inception (2010): Guy Hendrix Dryas, Larry Dias, Douglas A. Mowat
The speech of the King (2010): Eve Stewart, Judy Farr
The Grit (2010): Jess Gonchor, Nancy Haigh

Best Achievement in Costume Design
Alice in Wonderland (2010): Colleen Atwood
I Am Love (2009): Antonella Cannarozzi
The speech of the King (2010): Jenny Beavan
The Tempest (2010/II): Sandy Powell
The Grit (2010): Mary Zophres

Best Achievement in Makeup
The version of Barney (2010): Adrien Morot
The Way Back (2010): Edouard F. Henriques, Greg Funk, Yolanda Toussieng
Wolfman (2010): Rick Baker, Dave Elsey

Best Achievement in Music - Original Score
127 ore (2010): A.R. Rahman
Dragon Trainer (2010): John Powell
Inception (2010): Hans Zimmer
Il discorso del re (2010): Alexandre Desplat
The Social Network (2010): Trent Reznor, Atticus Ross

Best Achievement in Music - Original Song
127 ore (2010): A.R. Rahman, Rollo Armstrong, Dido ("If I Rise")
Country Strong (2010): Tom Douglas, Hillary Lindsey, Troy Verges ("Coming Home")
Rapunzel - L'intreccio della torre (2010): Alan Menken, Glenn Slater ("I See the Light ")
Toy Story 3 - The Great Escape (2010): Randy Newman (" We Belong Together ")

Best Achievement in Sound Mixing
Inception (2010)
The speech of the King (2010)
Salt (2010) The Social Network
(2010)
The Grit (2010)

Best Achievement in Sound Editing
Inception (2010)
Toy Story 3 - The Great Escape (2010)
TRON: Legacy ( 2010)
The Grit (2010)
Unstoppable - Out of Control (2010)

Best Achievement in Visual Effects
Alice in Wonderland (2010)
Harry Potter and the Deathly Hallows: Part I (2010)
Hereafter (2010)
Inception (2010)
Iron Man 2 (2010)

Best Documentary, Features
Exit Through the Gift Shop (2010): Banksy
GasLand (2010): Josh Fox
Inside Job (2010): Charles Ferguson
Restrepo (2010): Tim Hetherington, Sebastian Junger
Waste Land (2010): Lucy Walker

Best Documentary, Short Subjects
Killing in the Name (2010)
Poster Girl (2010)
Strangers No More (2010)
Sun Come Up (2010)
The Warriors of Qiugang (2010)

Best Short Film, Animated
Day & Night (2010)
The Gruffalo (2009) (TV)
Let's Poll (2009)
The Lost Thing (2010)
Madagascar, carnet de voyage (2010)

Best Short Film, Live Action
The Confession (2010/IV)
The Crush (2009)
God of Love (2010)
Na Wewe (2010) Wish
143 (2009)

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2011: a freewheeling ...

Without the necessary provisions for the night of the stars That's all what you really think on the year just ended film, which has an extremely impressive tumbler for all ten films nominated. There is not a movie that is supposedly under the level of "good" successful, unlike several recent years in which some products were inserted without merit worthy of note.
But let's get down to it, by category (the six main course).

BEST FILM: difficult to choose. THE SOCIAL NETWORK is a complete film in all respects, but may leave some 'cold; THE SPEECH OF THE KING has the best cast, but a choppy rhythm, THE FIGHTER, though remarkable, is affected by the unoriginality of the story, IL GRINTA is very well done but frankly useless inception is almost too technically sumptuous but sought to engage, TOY STORY 3 is extraordinary, ma non può contare sull'aspetto recitativo; 127 ORE e WINTER'S BONE non hanno i crismi per aggiudicarsi addirittura il titolo di miglior pellicola dell'anno; I RAGAZZI STANNO BENE è una dramedy semplicemente deliziosa, ma anche in questo caso forse manca quel quid che possa farlo considerare film d'eccellenza sugli altri. Cosa rimane? Ovviamente BLACK SWAN , che, seppur bistrattato da molta (incompetente) critica soprattutto europea, merita a mio avviso la statuetta di BEST PICTURE: il cast è eccellente, le musiche e il lato tecnico sono ineccepibili, il ritmo è ansiogeno e coinvolgente, l'emotività è alle stelle; non vincerà mai, ma rasenta la definizione di capolavoro.

MIGLIOR DIRECTOR : all very good, but I follow the theory of good, so if BLACK SWAN is the best film, best director can only be Darren Aronofsky.

BEST ACTOR: Colin Firth . Point. This year there is none for anybody.

ACTRESS: Having said that I have not seen the films for which the candidate Kidman and Williams, and Jennifer Lawrence is a wonderful surprise, my heart literally breaks in half for Natalie and Annette. I adore the both equally and I could not really make up my mind: in the previous post I wrote that I would win the Bening. I did it because on both occasions which was defeated (again by Hilary Swank, an actress that I think definitely overrated) its performance was as disarming skill and adherence to the character. I think that Natalie still has many years ahead in order to award the statuette, so I am rooting for Annette Bening . Natalie
But if he wins, as expected, not batting an eye.

ACTOR : most favored, Christian Bale is unquestionably good. One consideration, however: the skill of the performer, in my opinion, should be independent from the physical changes and the excesses, focusing mainly on the adaptability and versatility of the actor itself. Bale in his career roles have always been impressed with over the top and very borderline, sending critics into raptures, but not entirely convincing the purists of the seventh art. While not defined as such, I share their thinking, so I do not think Bale deserves this award.
passion a little 'understated by Geoffrey Rush, or the very strong role in the removal of all John Hawkes in my opinion deserve so much more. Given the choice, press the second for the simple fact that Rush has already won an Oscar.

ACTRESS : albeit in a minor key, that is the argument made for the supporting actor. In this category, in fact, I would not have any doubt give the statuette to Helena Bonham Carter : measured, ironic and self-deprecating, always in a corner, but always present, strong and capable of becoming a young credibilissima Queen Mother.
Nothing to say about the supporting cast of THE FIGHTER, but if the Oscar were (as seems) fall into the hands of young Steinfeld, not merely a reflection of the fact that the Academy Award does not go hand in hand with artistic merit.

In conclusion, adding that the best script should be to the lads are fine and THE SOCIAL NETWORK , I can still say that if Inception will tecnicni cornered the votes (but only those) will be more than just, e che vorrei davvero veder riconosciuto lo splendido lavoro fatto dal composer John Powell per la straordinaria colonna sonora di DRAGON TRAINER .

Buona notte degli Oscar a tutti!

What To Write Wedding Card Co-worker

Oscar 2011: my predictions and preferences

Ci siamo.
Stanotte, al Kodak Theater di Los Angeles, verranno consegnati gli 83mi Oscar della storia del cinema: qualche sorpresa potrebbe esserci, ma ancora una volta, grazie al web e a un numero crescente di siti internazionali che si occupa della statuetta più ambita, le anticipazioni si sono quasi del tutto trasformate in certezze.
Come ogni anno, cercherò quindi di azzardare il mio pronostico: domani vedremo quanto avrò avuto ragione.
Di seguito la mia previsione e la mia preferenza per ogni categoria.

Best Motion Picture of the Year
127 ore (2010)
Black Swan (2010)
The Fighter (2010)
Inception (2010)
I ragazzi stanno bene (2010)
Il discorso del re (2010)
The Social Network (2010)
Toy story 3 - La grande fuga (2010)
Il Grinta (2010)
Winter's Bone (2010)
Chi vincerà: IL DISCORSO DEL RE
Chi dovrebbe vincere: BLACK SWAN

Best Performance by an Actor in a Leading Role
Javier Bardem for Biutiful (2010)
Jeff Bridges for Il Grinta (2010)
The Social Network for Jesse Eisenberg (2010)
Colin Firth's speech for the King (2010) James Franco
for 127 hours (2010)
Who will win: COLIN FIRTH
Who should win: COLIN FIRTH

Best Performance by an Actress in a Leading Role
Annette Bening for The boys are doing well (2010)
Nicole Kidman for Rabbit Hole (2010)
Jennifer Lawrence for Winter's Bone (2010)
Natalie Portman for Black Swan (2010)
Michelle Williams for Blue Valentine (2010)
Who will win: NATALIE PORTMAN
Who should win: Annette Bening (Sorry, Natalie ...)

Best Performance by an Actor in a Supporting Role
Christian Bale for The Fighter (2010)
John Hawkes for Winter's Bone (2010)
Jeremy Renner for The Town (2010)
Mark Ruffalo for The boys are doing well (2010 )
Geoffrey Rush for The speech of the King (2010)
Who will win: CHRISTIAN BALE
Who should win: JOHN HAWKES

Best Performance by an Actress in a Supporting Role Amy Adams
for The Fighter (2010 )
Helena Bonham Carter's speech for the King (2010)
Melissa Leo for The Fighter (2010)
Hailee Steinfeld for The Grit (2010) Jacki Weaver
for Animal Kingdom (2010)
Who will win: Hailee STEINFELD
Who should win: Helena Bonham Carter

Best Achievement in Directing
Darren Aronofsky for Black Swan (2010)
Ethan Coen, Joel Coen for The Grit (2010)
The Social Network for David Fincher (2010) Tom Hooper
for King's speech (2010) David O.
Russell for The Fighter (2010)
Who will win: David Fincher
Who should win: Darren Aronofsky

Best Writing, Screenplay Written Directly for the Screen
Another Year (2010): Mike Leigh
The Fighter (2010): Scott Silver, Paul Tamasy, Eric Johnson
Inception (2010): Christopher Nolan
I ragazzi stanno bene (2010): Lisa Cholodenko, Stuart Blumberg
Il discorso del re (2010): David Seidler
Chi vincerà: IL DISCORSO DEL RE
Chi dovrebbe vincere: I RAGAZZI STANNO BENE

Best Writing, Screenplay Based on Material Previously Produced or Published
127 ore (2010): Danny Boyle, Simon Beaufoy
The Social Network (2010): Aaron Sorkin
Toy story 3 - La grande fuga (2010): Michael Arndt, John Lasseter, Andrew Stanton, Lee Unkrich
Il Grinta (2010): Joel Coen, Ethan Coen
Winter's Bone (2010): Debra Granik, Anne Rosellini
Who will win: THE SOCIAL NETWORK
Who should win: THE SOCIAL NETWORK

Best Animated Feature Film of the Year
Dragon Trainer (2010): Dean DeBlois, Chris Sanders
The Illusionist (2010): Sylvain Chomet
Toy Story 3 - The Great Escape (2010): Lee Unkrich
Who will win: TOY STORY 3
Who should win: DRAGON TRAINER (Mamma mia what I wrote ...)

Best Foreign Language Film of the Year
Biutiful (2010): Alejandro González Iñárritu (Mexico)
Kynodontas (2009): Lanthimos Giorgos (Greece)
In a better world (2010): Susanne Bier (Denmark)
Incendies (2010): Denis Villeneuve (Canada)
Hors-la-loi (2010): Rachid Bouchareb (Algeria )
Who will win: IN A BETTER WORLD
Who should win: and who has seen one??

Best Achievement in Cinematography
Black Swan (2010): Matthew Libatique
Inception (2010): Wally Pfister
The speech of the King (2010): The Social Network
Danny Cohen (2010): Jeff Cronenweth
The Grit (2010): Roger Deakins
About win: THE GRINTA
Who should win: BLACK SWAN

Best Achievement in Editing
127 hours (2010): Jon Harris
Black Swan (2010): Andrew Weisblum
The Fighter (2010): Pamela Martin
The speech of the King (2010): The Social Network
Tariq Anwar (2010): Kirk Baxter, Angus Wall
Who will win: THE SOCIAL NETWORK
Who should win: 127 HOURS

Best Achievement in Art Direction
Alice in Wonderland (2010): Robert Stromberg, Karen O'Hara
Harry Potter and the Deathly Hallows: Part I (2010): Stuart Craig, Stephenie McMillan
Inception (2010): Guy Hendrix Dryas, Larry Dias, Douglas A. Mowat
The speech of the King (2010): Eve Stewart, Judy Farr
The Grit (2010): Jess Gonchor, Nancy Haigh
Who will win: THE SPEECH OF THE KING
Who should win: Inception

Best Achievement in Costume Design
Alice in Wonderland (2010): Colleen Atwood
I Am Love (2009): Antonella Cannarozzi
The speech of the king (2010): Jenny Beavan
The Tempest (2010/II): Sandy Powell The
Grit (2010): Mary Zophres
Who will win: ALICE IN WONDERLAND
Who should win: THE SPEECH OF THE KING

Best Achievement in Makeup
version of Barney (2010): Adrien Morot
The Way Back (2010): Edouard F. Henriques, Greg Funk, Yolanda Toussieng
Wolfman (2010): Rick Baker, Dave Elsey
Who will win: WOLFMAN
Who should win: I've only seen Wolfman, who does not deserve to win even a slap in the face. ..

Best Achievement in Music - Original Score
127 hours (2010): AR Rahman
Train Your Dragon (2010): John Powell
Inception (2010): Hans Zimmer
The speech of the King (2010): Alexandre Desplat
The Social Network (2010): Trent Reznor, Atticus Ross
Who will win: THE SOCIAL NETWORK
Who should win: DRAGON TRAINER

Best Achievement in Music - Original Song
127 hours (2010): AR Rahman, Rollo Armstrong, Dido ("If I Rise" )
Country Strong (2010): Tom Douglas, Hillary Lindsey, Troy Verges ("Coming Home")
Rapunzel - The plot of the tower (2010): Alan Menken, Glenn Slater ("I See the Light")
Toy story 3 - The Great Escape (2010): Randy Newman ("We Belong Together")
Who will win: 127 HOURS
Who should win: but to TOY STORY 3 (strasentita and cloying).

Best Achievement in Sound Mixing
Inception (2010)
The speech of the King (2010)
Salt (2010) The Social Network
(2010)
The Grit (2010)
Who will win: Inception
About should win: Inception

Best Achievement in Sound Editing
Inception (2010)
Toy Story 3 - The Great Escape (2010)
TRON: Legacy (2010)
The Grit (2010)
Unstoppable - Out of Control (2010 )
Who will win: Inception
Who should win: Inception

Best Achievement in Visual Effects
Alice in Wonderland (2010)
Harry Potter e i doni della morte: Parte I (2010)
Hereafter (2010)
Inception (2010)
Iron Man 2 (2010)
Chi vincerà: INCEPTION
Chi dovrebbe vincere: INCEPTION

Best Documentary, Features
Exit Through the Gift Shop (2010): Banksy
GasLand (2010): Josh Fox
Inside Job (2010): Charles Ferguson
Restrepo (2010): Tim Hetherington, Sebastian Junger
Waste Land (2010): Lucy Walker
Chi vincerà: INSIDE JOB
Chi dovrebbe vincere: non ne ho idea.

Best Documentary, Short Subjects
Killing in the Name (2010)
Poster Girl (2010)
Strangers No More (2010)
Sun Come Up (2010)
Qiugang of The Warriors (2010)
Who will win: STRANGERS NO MORE
Who should win: as above.

Best Short Film, Animated
Day & Night (2010)
The Gruffalo (2009) (TV)
Let's Poll (2009)
The Lost Thing (2010)
Madagascar, carnet de voyage (2010)
Who will win: DAY & NIGHT
Who should win: as above.

Best Short Film, Live Action
The Confession (2010/IV)
The Crush (2009)
God of Love (2010)
Na Wewe (2010)
Wish 143 (2009)
Chi vincerà: NA WEWE
Chi dovrebbe vincere: idem come sopra.

Condolence Cards Protocols

14 marzo 2011: la Crisi dell'Agricoltura e le Politiche Comunitarie

Difference Between White And Red Ball In Cricket

Welcome to South

Alberto ( Claudio Bisio ) è un mite responsabile delle poste della bassa Brianza a un passo dal tanto sospirato trasferimento nel centro di Milano. Quando gli comunicano che la promessa rilocazione gli è stata revocata per dare precedenza a un collega disabile, Alberto, per non deludere le speranze della moglie e del figlio, decide di fingersi a sua volta disabile. Durante la visita di controllo, commette però un'imprudenza e, come punizione, gli viene imposto un trasferimento in Campania, in un piccolo paese del Cilento. Per un lombardo abitudinario e pieno di preconcetti sul Sud Italia come lui, la prospettiva di vivere almeno due anni in quei luoghi rappresenta un incubo, cui si prepara con un nuovo guardaroba di vestiti leggeri e giubbotto antiproiettile...
Dato che non lo faccio da parecchio tempo e visto che la recensione è totalmente in linea e sintonia con il mio pensiero, pubblico integralmente le parole di Edoardo Becattini da MyMovies.it , da leggere con estrema attenzione.
" Fra l'esagono francese e lo stivale Italian, the socio-cultural map of the injury appears mirror reversed. In France, the popular comedy craving the Mediterranean sun and palm trees of the Riviera, but not against the cold gray skies of the English Channel and northern regions, the Po valley in Italy's dream of man living in the shadow of addresses in Milan and all Madunina the possible stigma towards the South lazy and parasitic. From the Sticks Welcome to the South , the crossing of the 'opera buffa "of Dany Boon re-establishes a connection between geographical and fall down through the Civil same location as good-natured and lighter than a subversion of the stereotype. The film presents itself as a remake in the American sense of the term: a precise replica of the joints of the main narrative and gags of the original French, adapted to the language of Naples and the clash with the Milanese culture. In the "translation" is lost much of the surreal and outlandish comedy and mime joke of Dany Boon and Kad Merad in favor of comic timing more in line with the approach of cabaret Claudio Bisio and Alessandro Siani .
adaptation written by Massimo Gaudioso traces and paraphrases where serves, smoothing and softening the excessively schematic of the original screenplay especially in relationships between the characters. For the rest, the writer of Gomorrah simply convert the various elements that characterized the Nord-Pas de Calais in their direct payment Cilento (become smelly cheese buffalo mozzarella, as distilled spirits and beers bodied get coffee and limoncello, and the tradition of the carillon bell towers is converted into the baroque pyrotechnics of folklore field) and add some slight element of caricature about racism or the League of irony about the same film Matteo Garrone . By her, Luca Miniero adds to the staging of rather basic Dany Boon a technical virtuosity and a broader spectrum of colors and warm, in keeping with the tone of the Cilento coast.
Ultimately, where everyone - players, actors, characters and authors - play their role properly and runs without malice or foul play of light comedy, is a given not too comforting: the fact that even the ideas, affectionately ridicule our small country, we need to import them from abroad. "

Running Shirts Smells

QUALE BILANCIO PER LA REGIONE VENETO?

Chrissi From Nadine Jansen

Tesseramento 2011

E 'party membership 2011 to the Democratic Party.

There is much to do to build an alternative and to give a popular roots of our party.
We must make our contribution for a better Italy. To succeed, we must make perceptible our identity, have a party that works, that operates through a real participation e produca il rinnovamento, traendolo dalle tante esperienze maturate nel territorio.
Per questo chiediamo a tutti i simpatizzanti  di fare la propria parte iscrivendosi al Partito Democratico.

Per avere maggiori informazioni sul tesseramento non esitare a contattarci .

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150° Unità – “Patrioti ieri, democratici oggi”: al via le iniziative del Partito Democratico

Dal 15 al 25 febbraio, tappe in tutto il Veneto per ripercorrere 150 anni di storia dell’unità d’Italia .


A Cornuda il ricordo della storica battaglia, a Venezia il convegno sul federalismo democratico e la lettura pubblica della Costituzione.
“Patrioti ieri, democratici Today - 150 years of unification of Italy in the Veneto "kicks off Tuesday, February 15 the regional program of initiatives promoted by the Democratic Party Veneto to celebrate the 150th anniversary of the unification of Italy. "A journey in stages - explains Tiziana Agostini, coordinator of the project - in the history of struggles for freedom and building the nation through the voices of the characters and the words" remember each event in a symbolic place a key step in national history.

On 15 February the battle of Cornuda, February 18 in Belluno, an event dedicated to Garibaldi, Feb. 22 tribute to Giacomo Matteotti in Rovigo, February 23 la rievocazione dell’appello agli studenti di Concetto Marchesi, a Padova, il 25 febbraio, per le conclusioni, il convegno a Venezia sul federalismo democratico e la lettura pubblica della Costituzione al Ponte di Calatrava.

“La storia nazionale – commenta Rosanna Filippin, segretario regionale del Pd – dovrebbe diventare un patrimonio condiviso. Ancora oggi, invece, la celebrazione dei 150 anni di unità nazionale è l’oggetto di una disputa politica di parte e strumentale. Noi abbiamo voluto fortemente questa iniziativa perché in alcune pagine del passato ci sono insegnamenti più che mai validi per il futuro del paese. In questo senso il nostro è un omaggio tutto meno che retorico e formale alle best pages of national history. "

full program of activities.

Brown Hair With Blue And Purple Extensions

The Fighter

-Warning: there are spoilers (from the plot). -
Transposition on the screen the true story of boxer "Irish" Micky Ward (Mark Wahlberg ) and higher half-brother Dicky Eklund ( Christian Bale), also a boxer. Haunted by a mother-manager (Melissa Leo ) obsessed with success and money god, the first, gentle character, he will be impossible to fight matches on the card, while the second, after a match (lost) against the famous Sugar Ray Leonard, will enter into the spiral of crack.
But in the land of second chance both will take revenge: Micky, after meeting his present wife Charlene ( Amy Adams), will succeed to win the crown of world champion welterweight thanks to the support of his brother Dicky, riabilitatosi drug after a long spell in prison.
biopic of classical approach, The Fighter is a solid, fairly well written, directed and starred in with a good job in admirable fashion, although with excess gigioneschi altogether forgivable.
Set in working class New England towns inhabited mainly by Irish immigrants, the film flounders a bit 'in the first half struggling to assume an identity and then take shape in the phase separation of the two brothers, culminating in the cathartic final.
David O. Russell, who described this "His best", he gets a deserved nomination ' Oscar (the film has obtained a total of seven) focusing on the development of the facts of the case less positive figures (Dicky and his mother) and leaving aside only in line principle, the true protagonist of the film emerges as a deeply unbalanced characters real (in the life of Micky Ward is really a shy person and silent), which enhances the acting skills of the whole cast.
Christian Bale and Melissa Leo, both favorites for winning the 'Oscar as a supporter, boasting performance and thanks to some remarkable grimace too (much like those to the jury) is then the role of true leader of this affair; Amy Adams, very good, finally found an all-round character, able to affect positively the life of Micky Ward natured, just this last, finally, in my opinion, the real revelation: I'm talking of course Mark Wahlberg, who portrays a character strikingly clumsy but determined, combative but introverted, quiet but successful.
Ah, for the record, after The King's Speech this movie also falls in the absurd Population: Dicky Eklund, more than eight years Micky, is played by Bale, who has three years less of Wahlberg , is there anyway to say that at least in questo caso Bale, invecchiato in modo accettabile, ha perso moltissimo peso per essere più credibile nei panni del suo personaggio.
In definitiva un film più che gradevole di cui consiglio sicuramente la visione.

Milena Velba Follando

The speech of the King (The King's Speech)

-Attenzione: sono presenti spoiler (a partire dalla trama). -
Duca di York e secondogenito di re Giorgio V, Bertie ( Colin Firth ) è afflitto dall'infanzia da una grave forma di balbuzie che gli aliena la considerazione del padre, il favore della corte e l'affetto del popolo inglese. Figlio di un padre anaffettivo e padre affettuoso di Elisabetta (futura Elisabetta II) e Margaret, Bertie è costretto suo malgrado a parlare in public and within the radio microphone, instrument information vehicle at the time. Thanks to the support and devotion of Lady Lyon (Helena Bonham Carter ), his loving wife, and unconventional techniques of Lionel Logue ( Geoffrey Rush), an Australian speech therapist, his brother Bertie scalzerà "regneggiante ( Guy Pearce), will rise to the throne under the name of George VI and will find correct speech in his speech better. What inspired his lead nation against Nazi Germany.
Strafavorito in the Oscar race , fresh winner of the Producers Guild Award and Directors Guild Award , King's speech has all the requirements to convince the jury of the Academy Awards and the audience to win over traditionally linked to the product page, solid and well played. It has not, however, in my opinion, that something that would transform it into a great film.
Live with impeccable style but a bit 'from plaster Tom Hooper, the film certainly has its strengths in the cast, an otherworldly talent, and the subject itself: the impasse comes when even the good writer David Seidler seeks to "build" the relationship between the future sovereign and the speech therapist (who remained friends until death of the first), running into a series of sudden changes of pace and sometimes unsettling. It therefore reflects the fluidity of the film, really beautiful in that first part and the beautiful final crescendo, in which Firth demonstrates definitely deserved the most coveted statuette.
Warning, this is not saying that I am absolutely King's speech is a product that deserves a very old British style, is nevertheless a cut above the prevailing vulgarity of the film too soon defined as "revolutionary" and, as already mentioned, doth a series of thrilling performance recitative.
A small note in closing: I do not really understand the reason for the choice of Guy Pearce, actor for seven years younger than Firth, chiamato ad interpretare il fratello maggiore di Giorgio VI; sullo schermo la differenza è palesemente riscontrabile e genera stupore, oltre che confusione...
Da vedere, se non altro per gustarsi il lavoro di uno stuolo di attori letteralmente magistrali.

Can Dogs Get Cold Sores

Bilancio 2011 della Regione Veneto: presentata la contro-manovra del Partito Democratico

will be characterized by the responsibility contromanovra contained in amendments to the budget of the Region 2011 and the related finance law that the Democratic Party will officially launch in the coming days. This alternative proposal to the Board that the judge totally inadequate . This was announced by the parent explaining to the palace Puppato Laura Ferro-Fini, along with all the councilors of the PD, the package of amendments, some of which - he explained - are also shared by groups of Italy Values \u200b\u200band the Federation of the Left Veneta.

The five priorities to be funded from the 2011 budget of the Veneto Region - are the hydraulic protection, the local public transport services for dependents, employment and small businesses, schools and the law study.

1) Defense hydraulic . After the flood of November 2010, the Veneto, in the Democratic Party, has an urgent need to achieve expansion, drainage canal, rolling the dikes, ripermeabilizzazione soil, re-naturalization of river channels and all the works necessary to minimize the risk hydrogeological. For 2011, PD considers therefore that it is possible to provide the resources by using 100 million for the investment expenditure that the Government would allocate a new infrastructure for mobility. In fact they are already budgeted, and tied to mobility, remains for a total of 210 million that the Government will take years to spend.

2) Local public transport . For the minimum services and automotive lagoon and additional rail services the PD calls for further regional funding of € 30 million, which would be in addition to state resources under the agreement between the Government and the Regions.

3) term care . The PD should be given firm "change of course." It is proposed to allocate € 50 million more than indicated by the regional council to the fund, assuming for this purpose to use a portion of health care resources that are expected from Rome. The Democrats therefore propose that, for older non-self-sufficient, that with effect from 1 January 2011, the share of health significance in both residential services increased by 2.5% from the year 2010. Also with effect from 1 January 2011, the residential services may not require any deposit at the time of acceptance in the same service.

4) Economic crisis: income support to workers and small businesses. The request contained in the amendments of the Democratic Party is to guarantee for the financial year 2011, the special fund to support workers affected by the crisis. This is an overall budget of € 15 million. Furthermore, for small businesses, the PD calls for 10 million in order to increase trust.

5) Law School and the study . The PD proposes the allocation of a special contribution of 10 million to the University of the Veneto region to ensure the right to study and to allow the provision of scholarships to all university students in meeting the requirements set. With regard to school education, alla voce ‘funzioni della Regione per la programmazione, la promozione e il sostegno’ viene chiesto un aumento di risorse rispetto a quelle previste dalla Giunta, di 1,4 milioni. Altre richieste che verranno avanzate dalla manovra emendativi del gruppo Pd riguardano i sevizi sociali (20 milioni); i disabili (almeno 20 milioni di euro finalizzati alla realizzazione dei piani individuali per la vita indipendente e alla rivisitazione delle rette giornaliere dei Ceod; l’infanzia. (Da un lato un contributo straordinario di 6 milioni per realizzare asili nido, nidi integrati, centri infanzia, nidi di famiglia, nidi aziendali, micronidi e accoglienza domiciliare all’infanzia. Dall’altro uno stanziamento di 10 milioni di euro per support the system of preschools and equal to the cost reduction of fees payable by households; support for rents (supporting access to housing in the proposed lease is an increase in resources of 10 million euro). "We are aware of the notes and financial difficulties resulting from these cuts - stated the representatives of the Democratic Party in the regional council - but we believe the Government can draw from one part to funding from the European Union and the State.
It says at least 25 million for flood damages from Brussels and from London are coming soon, probably in April, at least 100 million (which may be twice) for Health and 36 million for local public transport. In addition to these sources there are nearly 16 million € the Veneto Region is able to recover the funds for saving : advice outside the regional administration (130,000 euro) cost of information activities of the Regional (€ 600 000 ), travel allowances and expenses for members of the Board (€ 300,000); public celebrations, civil and religious solemnity, exhibitions, festivals, exhibitions, etc.. (one million euro), the regional information system (11 million €) , studies, surveys, research (€ 248,000), publishing (€ 365,000), promotion and enhancement dell’identità veneta (800 mila euro); celebrazione di eventi storici e personalità venete di prestigio (600 mila euro); sviluppo del marketing territoriale (200 mila euro).


(Laura Puppato - Venezia, 2 febbraio 2011)

Most Reliable Washer And Dryers

Checco Zalone Olympus of the box-office nostrano

Checco Zalone ce l'ha fatta. In un mese esatto il comico barese e il suo Che bella giornata diretto da Gennaro Nunziante hanno spodestato sua maestà James Cameron e il suo Titanic dal secondo posto della classifica italiana all-time in quanto ad incassi. Avatar a parte, irraggiungibile dall'alto dei suoi 65 milioni di euro, Former comedy entertainer Zelig strengthens its leadership of the most successful at the box office made in Italy and fits between the two blockbuster King Midas American.

The official figure? Here it is:
1) Avatar 65,666,319 €
2) What a beautiful day € 42,778,913
3) Titanic 42,337,978 €

Area sociologists hours we will explain the reasons for such an unprecedented success ...

Home For The Elderly In Koimbatore

The guys are good (The Kids Are All Right)

Nic (Annette Bening ) and Jules (Julianne Moore ) is a serene middle-aged lesbian couple with two teenage children, Joni ( Mia Wasikowska ) e Laser ( Josh Hutcherson ), nati attraverso l’inseminazione artificiale. Quando Joni compie diciotto anni i due ragazzi decidono di voler incontrare il loro padre biologico, Paul ( Mark Ruffalo ), un affascinante quarantenne che gestisce un ristorante alla periferia di Los Angeles. Ma l’ingresso di Paul all’interno del nucleo familiare provocherà conseguenze imprevedibili…
Una strepitosa dramedy, in perfetto equilibrio tra serio e faceto, interpretata da due attrici che dovrebbero già avere nella loro bacheca personale almeno una dozzina di Oscar , affiancate da almeno tre comprimari perfetti: cosa chiedere di più ad un film?
Scritto benissimo directed by Lisa Cholodenko (along with Stuart Blumberg ) The Kids Are All Right is everything and more: it is more politically correct in the everyday family less conventional, is the feeling in every gesture and every word of two mothers who have always had to also serve as fathers is the difficulty of a boy and a girl growing up with some doubts but also with more certainty than many of their peers.
There is not a single moment of this film where the pace becomes ineffective or jump out of the classic sour note: the current landscape, finding a similar product is increasingly rare commodity, so I find it absolutely right sottolinearne in modo sperticato le lodi, soprattutto quelle recitative, che meritano un lungo capitolo a parte; iniziamo quindi dai comprimari per chiudere con i "piatti forti".
Josh Hutcherson (Laser, il figlio quindicenne): il giovane interprete del mediocre Un ponte per Terabithia sfodera un'interpretazione degna di un veterano, calandosi in modo perfetto nel difficile ruolo di un inquieto teenager pieno di incertezze; Mia Wasikowska (Joni, la figlia diciottenne), facendomi finalmente dimenticare l'incolore Alice di Burton , conferma gli svariati apprezzamenti ricevuti in patria con una caratterizzazione fuori dal comune dell'età di passaggio più important for each of us; Mark Ruffalo (Paul, the "donor"), candidate for ' Oscar for this role, embodies no frills and false pathos, a donor who has never really wanted to grow in his hypothetical role as breadwinner ; Julianne Moore (Jules), scandals forgotten by the 'Academy , manages to make me not able to properly use any adjective, its characterization as close to perfection; Annette Bening (Nic), Oscar nominee but again not sure of winning it, is, in my opinion, one of the best actresses that the seventh art can offer global: there are no words adequate to describe the sensitivity with which he plays every character, and at this point the only thing I can say is that I would like to see her act in many more products, so that I can finally make the statuette in his hands that, I say quietly, belongs almost law.
Dolciami One of the best comedy of recent years, a film not to be missed.

Bond Return Calculator

127 Hours (127 Hours)

127 hours is nothing but the story of the true story of Aron Ralston , the American mountaineer became infamous in 2003 for being trapped by a boulder during a rock climbing in Utah from which freed after more than five days amputating alone arm trapped.
Needless to say, the story being well known, the vast majority of viewers of the globe (including me) waiting for about an hour and twenty minutes, with increasing anxiety and trepidation, the rendition by the visionary Danny Boyle amputation of the fateful because, as I read some time ago on Entertainment Weekly , " about 127 hours without wanting to talk about the cutting arm is like trying to speak of Jaws without the shark itself want to talk about."
Given the circumstances, is certainly not been easy for Boyle to make a film in which, essentially, only one actor was recovering property for an hour and a half: its style, però, ha fatto centro ancora una volta. Il vero protagonista del film, a parte James Franco che è letteralmente strepitoso, è infatti l'editing, come di consueto nei film del regista britannico: la staticità della location e della situazione è infatti intervallata, con sapiente tempismo, da flashback, allucinazioni, rimandi e riprese naturali che fanno scorrere il film come se si trattasse di un adrenalinico action movie senza soluzione di continuità.
Fantastiche le scene della pioggia e di tutte le rimembranze del protagonista legate all'acqua, e davvero ironico e struggente al tempo stesso lo sketch, da parte di Ralston-Franco, della trasmissione televisiva, che si chiude con un "Oops" che vale da solo the whole scene (if not the essence of the film itself).
James Franco, as mentioned, is extraordinary: from unconsciousness to desperation, from joy to reason, from sadness to clarity, everything is determined by the plaintiff in admirable fashion, and her contortions of pain on her face in the climax scene the film must be left open-mouthed for accuracy and adherence to the role.
In conclusion, post-still on the scene of the film: I've seen with the classic five fingers spread before our eyes, but for what I wanted to look magnanimous Boyle was discreetly, without special too brutal, but in my opinion self-amputation is a scene still "strong." Absolutely
to see.

First Auditions Previews

ll Grit (True Grit)

Mattie Ross ( Hailee Steinfeld ) is a fourteen year old firm intention to bring before the court, to be sentenced to death, Tom Chaney ( Josh Brolin), the man who brutally murdered his father. To do that hires the sheriff Rooster Cogburn ( Jeff Bridges) is no longer young and drunk, but considered by all a hard man. Cogburn does not want the girl at his feet but she is called for. Lured by the generous reward for the arrest of the perpetrator, he joins the Texas Rangers the two LaBoeuf ( Matt Damon). The three are put on the trail of Chaney, meanwhile, joined a dangerous gang ...
faithful adaptation from the novel by Charles Portis , brothers Joel and Ethan Coen , with a little 'of arrogance mixed with arrogance typical of their filmmaking in recent years have clearly stated that it did not The determination inspired 1969 with John Wayne , excluding the word since the dawn of this remake their hard work and even going so far, they say, to prohibit the vision (if you have not already done so) to the cast. The differences from the classic western with the legendary Duke however, seem minor and do not change in substance to the plot itself, but, I repeat, trouble speaking renovation.
said, and analyzing the release of 2010 as if it had never been shot before, I humbly venture that it is a brave attempt, sometimes very successful, with minimal but somewhat contradictory, and several scenes almost enough and the imbalance between the first part (really addictive) and second (botched and confusing) is then far too strong.
If the first part, in fact, the construction of the characters and the journey we are undertaking three trackers are very well described and delineated in the second half of the film appear some figures that are not characterized well enough or their contextualization within the film is weak when it is laughable.
The cast is excellent, with a bit excessive but nice setting by the fourteen Hailee Steinfeld : Bridges seems to play on autopilot so the role fits him perfectly, while Damon , credibilissimo makes with the right measure the righteousness of the ranger; ingiudicabili others, the structural defect of the script described above.
Technically no objection, though the music by Carter Burwell already strasentite.
In conclusion, a film that more predictable, but that fades even more my respect (until recently unbounded) against brothers Coen, a talented but far too self-conceited.

It Looks Like I Am Looking Into A Kaliedescope

In a mountainous area of \u200b\u200bMissouri, one of the most sinister located deep in the heart of the United States of America, the adolescent Ree (Jennifer Lawrence ) take on their shoulders the entire management of the family. Since the mother is ill and her father was arrested for manufacturing and trafficking of methamphetamine, Ree is the only one who can take care of two younger siblings, care for and, literally, obtaining their food. One day, the local sheriff knocks on the door to announce that the father was released from prison by ensuring their property as security and that unless respond to the subpoena, the house will be confiscated by the police. Ree so it makes the footsteps of his father in a world of outcasts, of despair and sinister smugglers who try not to let the truth. An incipit
interesting but certainly not original, a gait constantly on the edge of inertia, a place of "facts" certainly not filled with the rhythms of contemporary cinema (which is a great value): Despite all this, Winter's Bone (to be translated more or less as "a cold winter," or in various other ways but which explicitly refer to episodes of the film) is to be considered in all respects a kind of thriller, very understated, but damn frightening. Second feature of the talented Debra Granik, is a solid film, engaging, extremely well-acted and absolutely deserving of all four candidates' Oscar just received.
Based on the novel by Daniel Woodrell and set in small town America more dark and desperate, where silence reigns like the freezing temperatures, Winter's Bone, produced classic style Sundance, it affects the essential crudeness of the dialogues is that of staging nothing is filtered, so that in some places seems to attend more of a docu-drama in which a product of fiction.
As mentioned, the strength of the film is the acting: Jennifer Lawrence, 20, has an amazing stage presence, while John Hawkes , I've seen The Perfect Storm and Me and You and Everyone We Know , seems able to express themselves with only one eye, the rest of the cast, composed mainly of characters unknown to the general public, it is literally extraordinary grip and credibility.
Basically a film not to be missed, unhealthy and disturbing but authentic and invigorating.